Chinatown

Thursday, June 20, 2024

On this date in 1974, Paramount Pictures released its movie, “Chinatown.” The screenplay was inspired by early Twentieth-Century California water wars and the Los Angeles interest in securing water rights in California’s Owens Valley. At the 1975 Academy Awards, Chinatown was nominated for eleven awards, receiving only one for Robert Towne’s screenplay.

Many rank Chinatown as one of the greatest films ever. It’s the last picture Roman Polanski directed in America and features many elements of film noir. The multi-layered story is part mystery and part psychological drama, perfectly interpreted by superb actors.

In 1975, Chinatown’s Oscar competition, The Godfather Part II, won for Best Picture and Best Director. Since then, I’ve wondered why Godfather won over Chinatown. Certainly, both films have had a lasting impact.

I think the Godfather’s wins were related to cultural impact. Audiences found its story easier to absorb than Chinatown’s.

Back then, The Godfather saga’s exploration of the American immigrant experience and the dark side of the American Dream probably resonated more deeply with audiences and critics. That suggests “cultural relevance” was significant in the Academy’s decision.

Today, deciding which film is best might have a different outcome. It’s important to remember that awards are subjective; contemporary choices are influenced by various factors, e.g., personal preferences, industry trends, and campaign strategies.

To me, “Chinatown” is a masterpiece of filmmaking. It forces viewers to explore some innermost and perhaps conflicting perceptions. Unquestionably, “The Godfather Part II” is also a fine movie, with similar storytelling ambition, technical excellence, and powerful performances.

Differences in perceiving them means thinking back to the 19970s. Godfather’s resonance was easier to comprehend and more comfortably relatable. Today’s populations are better informed, generally wiser about psychology, and often consider Chinatown the best picture.

Dear Friends: This anniversary of that excellent film’s debut is a cause for celebration. Diana