Film Art

Saturday, April 20, 2024

Last night, I was thumbing through some streaming offerings and stumbled across “Seven Brides for Seven Brothers.” The highlight of that 1954 musical was one of the greatest dance sequences ever filmed. In their real lives, six of the seven “brothers” were classically trained dancers; so were the townspeople, the men and women dancing partners. I was eager to see that movie again.

The underside of its wonderfulness is a dark story. It’s deep winter and the brothers are eager to find wives. They kidnap girls from the town and forget to kidnap a preacher. A sudden avalanche closes the pass to their remote property, preventing the townsmen from rescuing their girls.

The eldest brother is married, and his wife keeps his younger brothers and the girls separated throughout the winter. By spring, love is in the air and everybody is happy. A rescue group led by the town’s Chaplin arrives at the ranch, and finally, the Chaplin officiates over six marriages.

In its time of making, the film’s story was fun. In modern times, however, its fable is much less innocent. It’s hard to ignore the 2014 kidnapping of Nigerian schoolgirls by Boko Haram, an Islamic terrorist group. Finally, some of the girls managed to escape or became rescued, and only now some are telling their stories of years in captivity. Their stories aren’t pretty and don’t end well enough. Even today rescues again living in their village of origin are shunned, considered “Boko Haram women,” and with their children, are treated as outcasts.

Curious, I looked up Stephen Vincent Benét’s short story “The Sobbin’ Women,” published in 1937, on which “Seven Brides for Seven Brothers” was based. Benét’s story is beautifully written and readable. It’s also much leaner and tougher than the movie version.

Fortunately, artistry can overcome much. In “Seven Brides….” the dance sequences are outstanding, and sheer art that lives on film. Someday, I will watch that movie again.

Dear Friends: It’s all about having the capability of leading a good life. Diana